October 2011
1 post
Oct 31st
July 2011
3 posts
'Tomboy' Wins Odessa International Film Festival... →
One of the great films made by adults for adults about children, according to me.
Jul 23rd
Jul 10th
1,155 notes
3 tags
Jul 10th
June 2011
1 post
7 tags
Jun 27th
April 2011
1 post
4 tags
Apr 11th
March 2011
1 post
4 tags
Mar 2nd
December 2010
2 posts
Dec 3rd
5 notes
Dec 3rd
November 2010
10 posts
2 tags
Nov 27th
2 tags
Nov 18th
3 tags
Nov 17th
3 tags
Nov 17th
2 tags
Nov 11th
1 tag
Nov 6th
1 tag
“Going out to Llano, Llano del Rio. Try to find Utopia In the stucco grids and...”
– Frank Black.
Nov 5th
2 tags
Nov 5th
1 tag
“This will be our reply to violence: to make music more intensely, more...”
– Leonard Bernstein, November 25th 1963.
Nov 5th
3 tags
Nov 5th
September 2010
3 posts
2 tags
Sep 10th
Sep 10th
Sep 3rd
August 2010
6 posts
“There are always a few people in Hollywood who are considered mad dreamers for...”
– Pauline Kael back in 1971, when things were a bit different.
Aug 24th
Aug 14th
Aug 14th
Aug 5th
Aug 4th
Aug 4th
July 2010
1 post
Jul 28th
May 2010
4 posts
May 19th
May 19th
May 19th
45 notes
May 2nd
March 2010
6 posts
Mar 25th
Mar 25th
Mar 20th
Mar 7th
Mar 6th
Mar 1st
February 2010
5 posts
1 tag
Feb 28th
3 notes
Feb 28th
19 notes
Feb 27th
Feb 27th
The word is 'oubliette'
Honestly forgot this place existed.
Feb 27th
June 2009
4 posts
Jun 21st
Jun 21st
Jun 18th
No tumblelog left behind
One post per year seems reasonable to me. Edinburgh beckons.
Jun 17th
EIFF Last
Death Defying Acts: Scotch mist. Did Harry Houdini really talk like Johnny Depp? Sleep Dealer: Leonor Varela. That is all. Transsiberian: Deeply odd to see Emily Mortimer carry the gun, but it works. Deeply annoying to see Woody Harrelson play the idiot, but presumeably the money kept him in hemp for a while. Somers Town: Shane Meadows is a great guy, but after the impact and dread of Dead Mans...
Jun 28th
EIFF 2
The Kreutzer Sonata, in which director Bernard Rose incises deeply into a rich man’s jealousy, and I fall madly in love with Elizabeth Rohm after stepping on her train on the way out. Red: an unspeakably taut neo-noir modern western whose success is almost ridiculous when you find out that it was made in two halves by two directors at two different times. Understatement of the week: “I...
Jun 23rd